Spotify's New Policy: What It Means for Independent Artists in 2024
Spotify's New Policy: What It Means for Independent Artists in 2024
Read more
Read more
In a significant incident affecting global web infrastructure, Cloudflare—the company that provides security and performance services for millions of websites—experienced a major outage today. The disruption began earlier this morning and quickly impacted access to numerous high-profile platforms and services across the internet.
Cloudflare, which acts as a content delivery network (CDN) and DDoS protection provider, reported technical difficulties with its network. The issue led to widespread downtime for websites and applications that rely on Cloudflare's services, including e-commerce platforms, streaming services, AI tools, and news sites.
Who Was Affected?
Major websites that were reported to be down or partially inaccessible include:
- Suno (AI music generator)
- ChatGPT by OpenAI
- Discord
- Shopify
- Medium
- Several crypto platforms and online banks
Social media erupted with users posting screenshots of error messages and expressing frustration as services they rely on stopped working.
This incident underscores how dependent the internet has become on a few central service providers. When a major player like Cloudflare experiences issues, it sends ripples across multiple industries—from entertainment and AI to finance and communication.
The company acknowledged the outage via their status page and social media accounts, stating that their engineering team was actively investigating and working on a fix. At the time of writing, partial restoration has begun in some regions.
In an age where digital access is essential for creativity, business, and communication, outages like this remind us of the importance of resilient infrastructure and decentralized tools. FeroMedia will continue to monitor the situation and update our audience.
Read more
In recent years, the conversation around representation, authenticity and power in digital media has spotlighted a disturbing trend: the exploitation of Black identity and culture via artificial intelligence and virtual influencers. Known in critical discourse as digital blackface, this phenomenon is not new — but its latest incarnation via AI brings new stakes and new injustices.
The term digital blackface refers to the practice of non-Black individuals using Black images, voices, vernacular, or caricatures for self-expression or gain online. Soho House+3Wikipedia+3SAGE Journals+3
For example: GIFs of Black people used by non-Black social-media users to express emotion; audio clips of Black vernacular adopted by non-Black creators; or avatars of Black people created by non-Black developers presenting as “authentic” Black influencers.
As one scholar writes:
“Black people’s lives and our culture… is often a spectacle on the internet.” Teen Vogue+1
Now, rather than simply borrowing Black memes or slang, there is a growing industry of hyper-realistic Black AI influencers: avatars that appear as Black people, often women, with flawless “looks”, scripted personalities, and monetised social-media presence. They may post videos, endorsements, lifestyle content — yet they are not real people.
According to a recent piece by Teen Vogue:
“You scroll some more. Another face. A Black woman with a snatched blonde ponytail… She goes to the mall. ‘I found four outfits, I still need two more…’ She is not a real person.” Teen Vogue
The article goes on to contend these avatars perpetuate stereotypes of Black femininity, commodify Black identity, and often exclude real Black people from the benefit of the resulting profit structures. Teen Vogue
When Black identity is rendered as a “product” created by non-Black teams, we see appropriation without accountability. The cultural expressions of Black people (language, hairstyle, affect, aesthetics) are reused for engagement or profit without centring real Black creators or communities.
“The fantasy of being able to own, define, and consume Blackness without consequence.” Teen Vogue
AI-generated Black avatars often rely on exaggerated tropes — loud, hyper-sexualised, “bossy”, trendy, dramatic. This continues patterns of minstrelsy and caricature under a new guise. As one academic puts it: digital blackface “is not just about socio-political wrongs but harmful argumentation and representation.” SpringerLink+1
Such representations shape what audiences (including algorithms) believe Blackness is, narrowing diversity of expression and reinforcing harmful tropes.
While AI avatars produce revenue and engagement, real Black creators and workers often get excluded. The technological apparatus (avatars, CGI, virtual modelling) may be controlled by non-Black developers, designers or companies — even if the avatar is visually Black. For example, the virtual model Cameron‑James Wilson created the CGI avatar “Shudu”, a Black-skinned model, sparking debate about who gains from these creations. Wikipedia+1
As one Black critic says:
“To me it’s digital slavery… AI won't revolt. It's programmed.” Teen Vogue
For your context — as someone working in streaming, digital marketing and media production — these issues matter in multiple ways:
Authentic representation: When you create content featuring Black talent or avatars, ask: who is behind the avatar? Who designs the story? Are Black creators given agency and compensation?
Algorithmic/AI risk: Platforms and AI systems may amplify skewed representations; content that uses exploitative caricatures may perform well (because it triggers engagement) even while reinforcing harm.
Brand and ethics alignment: If a brand promotes a Black-looking AI influencer, but the backend creators are non-Black, there’s a reputational risk — of tokenism, misrepresentation, or backlash.
Opportunity for meaningful intervention: There’s space for media companies to do better: centring real Black voices, building AI tools with Black leadership, emphasising nuance and diversity of Black experience rather than surface aesthetic.
Audit your AI/virtual influencer pipeline: Who builds the avatars? Who writes the scripts? Are stereotypes being used for cheap engagement?
Ensure Black creators are paid, credited, empowered: If you use Black identity in digital avatars or content, embed fair labour and ownership practices.
Promote representation across the spectrum: Blackness is not monolithic. Avoid flattening diverse experiences into one avatar.
Educate audiences and stakeholders: Use your platforms to unpack what’s really happening behind these avatars — the technology, the profit, the representation.
Push for regulation and transparency in AI: The tech industry is still catching up with ethical standards around representation, bias and identity in generative media.
What may appear on the surface as a slick, futuristic digital influencer is often part of a deeper cycle: commercialising Black culture, erasing labour and identity, and reinforcing outdated stereotypes under the guise of innovation. For media professionals and companies like yours — FeroMedia and FeroTV — engaging with this issue isn’t just about avoiding harm, but about leading with integrity, authenticity and fresh creative responsibility.
Read moreWhen an AI-generated country song called “Walk My Walk” by the virtual act Breaking Rust hit No. 1 on the Billboard Country Digital Song Sales Chart, it wasn’t just a headline, it was a warning sign.
What once seemed impossible has happened: a song created by algorithms, not artists, has officially outperformed real musicians on an American music chart.
And while tech enthusiasts are celebrating it as “the future of music,” others see something different — the slow erasure of human creativity.
“Walk My Walk” isn’t the product of a struggling songwriter in Nashville or a band grinding through open mics. It’s a piece of code — generated, arranged, and mastered by artificial intelligence.
The so-called “artist,” Breaking Rust, doesn’t breathe, doesn’t feel heartbreak, doesn’t live the stories country music was built on. Yet it managed to out-chart real people who’ve spent years honing their craft.
That isn’t innovation. It’s automation disguised as artistry.
Some are quick to point out that the chart in question — Country Digital Song Sales — measures paid downloads, not total streams or airplay. That means a few thousand strategically purchased downloads could be enough to hit No. 1.
In other words, this might not represent genuine public demand at all. It could easily be a PR stunt engineered by tech companies, designed to prove a point: that AI music can “win.”
If that’s true, it’s not a cultural breakthrough — it’s a marketing manipulation.
Country music has always been about authenticity — the pain, the grit, the storytelling. To see an algorithmic song rise in a genre rooted in human experience feels like a betrayal.
AI doesn’t live in small towns. It doesn’t lose love, work two jobs, or write lyrics from sleepless nights. Yet now, it’s being rewarded as if it does.
The danger isn’t that AI can make songs that sound good — it’s that the industry is starting to care less whether the songs mean anything at all.
Supporters argue that AI will simply “enhance” creativity, but what we’re seeing looks more like replacement than enhancement. Once labels realise they can release unlimited AI-generated songs without paying artists, royalties, or session fees, what incentive remains to support real musicians?
We could end up with a flood of synthetic music, built to satisfy algorithms — not audiences. Songs optimised for clicks, not connection.
When that happens, music becomes content, not culture.
Sure, “Walk My Walk” made history. But it’s history in the same way autotune abuse or lip-syncing scandals made history — moments that forced us to question where authenticity went.
AI may be able to mimic the sound of emotion, but it can’t live it. It can’t play to a crowd, can’t bleed on stage, can’t grow old with its fans.
What happens when the charts are full of “artists” who don’t even exist?
If this trend continues, we risk hollowing out the very thing that makes music matter — human imperfection.
The cracks in a voice, the rawness in a lyric, the mistakes that make a performance real — AI can imitate them, but never truly feel them.
And when we trade that authenticity for artificial efficiency, we lose something priceless: the soul of sound.
The rise of AI-generated music isn’t just a technological milestone; it’s a cultural red flag.
A chart-topping machine may impress investors and engineers, but it raises a deeper question for everyone else:
If machines can fake emotion well enough to win, what happens to the artists who actually feel it?
Read more
Mack Jehu (real name Michael Jehu Appiah) is a UK artist and songwriter known for his sharp lyricism, dynamic energy, and deep connection to hip-hop culture.
Over the past few years, Mack has collaborated with UK rap icons Skinnyman and Mighty Moe from Heartless Crew, performing alongside them at major venues such as Scala and Cambridge Junction during Skinnyman’s legendary Council Estate of Mind tour. He also joined Skinnyman to perform Pass the Torch at the late Ty’s memorial event, paying tribute to a cornerstone of UK hip-hop.
In 2023, Mack’s single Macakritius gained national attention after being played on KISS FM during Shortee Blitz & DJ MK’s hip-hop show — marking a key milestone in his rising career.
His forthcoming album, They Didn’t Like Me, dropping October 23rd, showcases his evolution as an artist — fully written by Mack Jehu and produced, mixed, and mastered by Smooflow.
https://spotify.link/rS0EcpjIRXb
Currently studying at LCCM (London College of Creative Media), Mack is focused on expanding his creative range: refining his songwriting, mastering self-production, and building a sound that’s entirely his own. With a unique blend of authenticity and ambition, Mack Jehu stands out as one of the next voices shaping the UK’s underground music scene.
Read more
In October 2025, Ghana’s Ministry of Education introduced a major shift in its education system: teachers in basic schools must now use the child’s mother tongue — a local Ghanaian language — as the main medium of instruction in the early years of schooling.
Education Minister Haruna Iddrisu described the initiative as part of a broader reform agenda aimed at strengthening foundational learning.
“A child learns best in a language that is familiar. It is unfair for Ghanaian children to start school entirely in English when most come from homes where local languages are spoken,” he stated.
The Ghana Education Service (GES) has been tasked with ensuring the directive is enforced, beginning immediately at the basic school level.
Many Ghanaian children grow up speaking local languages at home. Starting school in English often creates a barrier to understanding, reducing confidence and participation. Research shows that children learn faster and perform better when early education is delivered in a language they already speak.
The reform also carries a cultural message. By prioritising Ghanaian languages, policymakers aim to reclaim educational spaces from colonial influence and celebrate the nation’s linguistic diversity. It’s a statement that Ghana’s own languages are vital, valuable, and modern tools for learning.
Ghana’s approach mirrors international research and recommendations — including from UNESCO — which highlight the long-term benefits of mother-tongue instruction. Countries that have adopted similar models report improved literacy and stronger learning foundations in the early years.
Following initial reports suggesting a nationwide change, the Ministry later clarified the policy’s range.
As of 27 October 2025, the directive applies to children from Kindergarten through Primary 3 (KG–P3).
From Primary 4 onwards, English will once again become the main language of instruction — consistent with earlier education frameworks.
Improved comprehension and engagement: Children can grasp concepts more easily and express themselves confidently.
Stronger academic foundation: Early literacy and numeracy in a familiar language help prepare students for later English instruction.
Cultural reinforcement: Recognising and using local languages in schools helps preserve Ghana’s rich linguistic heritage.
Educational equity: Children from non-English-speaking homes begin school on a fairer footing.
Linguistic diversity: With 46–80+ local languages spoken nationwide, choosing which language to use — especially in multilingual urban areas — may be complex.
Teacher readiness: Many teachers will need training in mother-tongue pedagogy and proficiency in the specific language of instruction.
Teaching materials: Most textbooks and resources are currently in English, requiring major translation and adaptation efforts.
Transition to English: Students will eventually need to switch to English instruction in P4. Ensuring a smooth transition is critical to avoid setbacks in literacy and comprehension.
Implementation consistency: Previous attempts at similar policies faltered due to weak follow-up and resource gaps.
Language policy in Ghanaian education has changed several times over the decades:
Post-independence: English was the dominant medium of instruction.
1970s–2000s: Mother-tongue instruction was permitted in lower primary (P1–P3).
2002: Policy reverted to English-only instruction.
2025: The current directive revives the earlier emphasis on local languages, this time with stronger implementation measures.
To make this policy a success, Ghana must focus on:
Curriculum development — creating textbooks and learning materials in multiple local languages.
Teacher training — equipping educators with the tools and confidence to teach effectively in local languages.
Monitoring and evaluation — tracking literacy and numeracy outcomes to assess the policy’s impact.
Stakeholder communication — keeping parents, communities, and teachers informed to ensure support and understanding.
Bridging to English proficiency — designing strategies so early mother-tongue instruction strengthens, rather than weakens, English skills later on.
Ghana’s 2025 language policy marks a transformative step in education — one rooted in both research and cultural pride. By prioritising mother-tongue instruction in the early years, Ghana is investing in its children’s comprehension, confidence, and identity.
The success of this policy will depend on how well it’s implemented — particularly in training teachers, producing materials, and managing the transition to English. If done right, it could become a model for linguistically inclusive education across Africa.
Read more
As technology continues to evolve at an unprecedented pace, Artificial Intelligence (AI) stands at the forefront of innovation, transforming how we create, communicate, and collaborate. This course is designed to empower you with the knowledge and practical skills to navigate and utilize some of today’s most advanced AI tools.
Throughout this journey, you’ll explore a diverse range of platforms—each offering unique capabilities—to help you unlock your creativity, streamline your workflow, and elevate your productivity.
1. My Stuff | PosterMyWall
Discover how AI-driven poster design simplifies the creative process. Learn to customize templates and leverage AI-suggested design elements to produce professional-quality posters for any occasion.
2. Photo Editor Online – AI Editing Photo Free (SnapEdit.App)
Master AI-powered photo editing tools that allow you to enhance, retouch, and transform images in just a few clicks. Explore filters, effects, and tools that make visual storytelling effortless and engaging.
3. TinyWow – Free AI Writing, PDF, Image, and Online Tools
Uncover a collection of AI-enabled utilities designed to simplify everyday digital tasks such as writing, PDF editing, and image manipulation—perfect for boosting productivity and achieving professional results.
4. Pi AI – pi.ai/talk
Engage in interactive, intelligent conversations with an adaptive AI chatbot. Learn how conversational AI can enhance communication, customer engagement, and personal development.
5. Suno
Experience the magic of AI-generated music. Create professional-grade tracks across genres, and explore how AI composition can transform media production, podcasting, and creative projects.
6. SearchApp – search.app/DXzVFdcgHZ2UPkeY9
Discover a smarter way to search. Learn how AI-powered content curation delivers relevant, personalized information tailored to your needs.
7. Feed (BandLab)
Immerse yourself in a global, collaborative music platform enhanced by AI features. Explore how AI fosters creativity, connects artists, and drives innovative musical collaborations.
8. Firefly by Adobe – firefly.adobe.com/upload/inpaint
Unlock your creative potential with AI-driven image generation. Learn to create stunning visuals, illustrations, and 3D assets in seconds using simple text prompts.
9. Adobe Podcast Enhance – podcast.adobe.com/enhance
Transform your audio recordings with AI tools that clean, refine, and optimize sound quality—bringing professional polish to your podcasts and voice projects.
10. Dzine.ai – www.dzine.ai
Explore AI-assisted design workflows that enhance creativity and efficiency, helping you bring your visual concepts to life with ease.
Additional Tools for Exploration:
Leonardo AI – AI art and image generation
Viggle AI – Create AI-driven video mixes
QuickMagic.ai – Instant AI video and image generation
ManyChat – Automate conversations and marketing workflows with AI
MiniMax.io – Explore AI-generated voice and audio creation
By the end of this course, you’ll gain a comprehensive understanding of how AI tools can be applied across various creative, professional, and personal domains. Whether you’re a content creator, media professional, or simply curious about AI’s potential, this course will guide you through a hands-on exploration of what’s possible—empowering you to harness AI as a true creative partner.
Read moreBy FeroMedia News Desk
The latest government figures reveal a chilling rise in anti-Muslim hate crimes across the UK — up nearly 20% compared to last year. The surge has reignited fears that Islamophobia is becoming normalized in British public life, with campaigners calling for urgent action from both government and social media platforms.
According to Home Office data released this week, hate crimes targeting Muslims now account for nearly half of all recorded religion-based hate incidents. Reports include verbal abuse, mosque vandalism, online harassment, and violent assaults.
Leaders from Muslim charities and human rights groups have described the situation as “deeply worrying” and reflective of a wider climate of hostility — one that’s been emboldened by inflammatory rhetoric from politicians and online commentators.
“This isn’t just about isolated acts of hate,” said Imran Hussain, spokesperson for the Muslim Council of Britain.
“It’s about a culture that has allowed Islamophobia to fester — in the media, in politics, and even in everyday spaces. British Muslims are tired of being treated as suspects rather than citizens.”
The rise comes amid a tense global climate — ongoing conflicts in the Middle East, social media misinformation, and divisive political narratives have all fueled polarization. Many campaigners say the UK government’s inconsistent stance on hate speech and extremism has left communities feeling vulnerable and unprotected.
The Tell MAMA project, which monitors anti-Muslim incidents, has also reported a sharp increase in hate online, including targeted abuse toward visibly Muslim women.
“The online environment is amplifying real-world harm,” said Fiyaz Mughal, founder of Tell MAMA.
“What begins as digital hate often spills into the streets.”
Beyond the statistics lie countless personal stories — women being harassed on public transport, mosques defaced with graffiti, families facing intimidation in their own neighborhoods. Community groups across cities like Birmingham, Manchester, and London have launched local patrols and interfaith initiatives to support victims and restore trust.
For many British Muslims, the psychological toll is heavy. Feelings of alienation and anxiety are growing, particularly among young people who feel their faith and identity are under constant scrutiny.
Activists are urging the Home Office to:
Enforce tougher penalties for hate crimes.
Improve training for police officers dealing with faith-based abuse.
Strengthen protections against online hate through social media regulation.
Faith leaders from across religions have also issued a joint statement calling for solidarity and collective action.
“Hate is everyone’s problem,” the statement read. “An attack on one community is an attack on us all.”
As Britain continues to navigate its multicultural identity, the sharp rise in anti-Muslim hate crimes serves as a warning — tolerance cannot be taken for granted. Grassroots voices are demanding more than sympathy; they want systemic change, better accountability, and a reassertion of what it truly means to be united in diversity.
Read more
British hip-hop veteran Tim Westwood — once hailed as a key figure in bringing rap and R&B to mainstream UK radio — has been formally charged with multiple sexual offences involving Black women.
The Crown Prosecution Service confirmed that Westwood, 67, faces 15 charges involving seven women, including four counts of rape, nine of indecent assault, and two of sexual assault, said to have taken place between 1983 and 2016.
Timothy “Tim” Westwood built his name as a radio trailblazer. From his days on BBC Radio 1 to his show on Capital Xtra, he helped bridge UK and U.S. hip-hop culture, giving rising artists a national platform and shaping the sound of British urban music.
But for many Black women in the scene, Westwood’s influence represented something darker — a figure who allegedly used his power, status, and access to exploit young women seeking opportunity in music.
In 2022, an investigative report by the BBC and The Guardian revealed multiple allegations from Black women, many of whom said they had remained silent for years out of fear that their voices would be ignored or dismissed in a male-dominated industry.
Westwood is accused of serious sexual misconduct spanning three decades.
According to prosecutors, the alleged offences include incidents in London and Stroud, with some women said to have been 17 and 18 years old at the time.
The Crown Prosecution Service stated that there is enough evidence to proceed and that the case is “in the public interest.”
Westwood will appear at Westminster Magistrates’ Court on 11 November 2025.
He has denied all allegations, and remains legally presumed innocent pending trial.
In early 2025, an independent review commissioned by the BBC concluded that the broadcaster had “failed to act adequately” on complaints and “fell short in its duty of care.”
That review surfaced new accounts from Black women who described predatory advances, unwanted contact, and sexual coercion — patterns that many say were widely whispered about within the industry but rarely addressed publicly.
For many campaigners and cultural commentators, these revelations aren’t just about one man’s alleged crimes — they represent a broader story of how Black women’s voices have been ignored or sidelined in Britain’s music and media landscape.
The Westwood case has reignited difficult conversations about:
Racism and sexism in UK music media
The power imbalance between gatekeepers and young talent
How institutions like the BBC handle complaints involving women of colour
As the case heads to court, there’s a growing call for accountability — not just for Westwood, but for the structures that allowed such behaviour to persist unchecked for decades.
Read moreA heartbreaking story has emerged from North London, where 19-year-old Marcus Fakana died following a car crash in Tottenham — just months after returning home from a controversial imprisonment overseas.
Marcus’s journey took a devastating turn while on holiday abroad, where a consensual relationship led to his arrest and prosecution under local laws. The case highlighted the stark cultural and legal differences young people can face when travelling — and the life-changing consequences that can follow.
After serving a prison sentence, Marcus was eventually released and returned to the UK earlier this year. Friends and family hoped his homecoming would mark the beginning of a new chapter: one focused on rebuilding his future, leaving the trauma of his incarceration behind.
But that new beginning was not to be. In the early hours of a Friday morning, a vehicle in which Marcus was a passenger was involved in a serious collision in Tottenham. Police had reportedly attempted to stop the car before the crash occurred. Despite being treated at the scene and rushed to hospital, Marcus tragically succumbed to his injuries.
The driver of the vehicle, also 19, was arrested on suspicion of dangerous driving and failing to stop. Investigations into the incident are ongoing.
News of Marcus’s death has left many devastated — particularly those who had followed his story and supported him through his legal ordeal. Community members, friends, and campaigners have shared heartfelt tributes online, mourning a life that had already faced extraordinary challenges and was only just beginning to recover.
The tragedy has reignited conversations about youth safety, international legal systems, and the long-term effects of imprisonment. Many see Marcus’s story as a powerful reminder of how vulnerable young people can be when caught between different laws and cultures — and how the impacts of those experiences can ripple far beyond the courtroom.
Marcus’s death is more than just a headline. It represents the loss of potential, the fragility of freedom, and the importance of compassion in how societies approach justice and rehabilitation. His life, though brief, has sparked conversations about fairness, safety, and the responsibilities we share — both at home and abroad — to protect and guide young people.
As investigations into the crash continue, one thing remains certain: Marcus Fakana’s story will not be forgotten. It stands as a poignant reminder of how quickly life can change — and how vital it is to ensure that no one’s future is defined by a single mistake.
Read more
By FeroMedia
Few names carry as much weight in UK hip-hop culture as DJ 279. Known to many simply as “Numbers,” he is more than just a DJ — he’s a pioneer, a mentor, and a bridge between generations of artists and fans. For over three decades, DJ 279 has been a driving force behind the growth, celebration, and preservation of hip-hop in the UK and beyond, earning him a well-deserved reputation as a true ambassador for the culture.
While his name might not always be front and centre for the casual music fan, DJ 279’s influence stretches far and wide. A MOBO-nominated DJ and respected cultural commentator, he has proudly carried the UK hip-hop flag around the world — performing in countries like South Africa, Slovenia, France, Germany, Denmark, and Greece — all while staying deeply rooted in the UK scene.
His reputation as an authority on hip-hop has seen him collaborate with some of the genre’s most iconic figures, including Public Enemy, Snoop Dogg, Rakim, EPMD, Method Man & Redman, Big Daddy Kane, and Dead Prez. Whether behind the decks, on the airwaves, or consulting for major music events, DJ 279 has consistently elevated the culture he loves.
DJ 279’s journey began in the early 1990s, when a passion for hip-hop earned him a spot at Choice FM as a studio assistant under rap show host Steve Wren. Within two years, fate intervened: Wren departed suddenly, and 279 — still early in his career — was offered the chance to host his own show. He seized the opportunity and transformed the platform completely, relaunching it as “Friday Nite Flavas.”
The show quickly became one of the UK’s most influential voices in hip-hop radio, breaking new artists, championing underground talent, and giving a global audience access to the UK’s growing rap movement. It was the platform that launched Numberman Productions, the company behind the legendary “Flava of Da Month” events at London’s Borderline — nights that helped propel the careers of UK stars like Blak Twang, Skinnyman, Ty, Fallacy, and Funky DL.
With his distinctive style and unwavering dedication, DJ 279 soon became a household name in hip-hop circles. His list of accolades reads like a timeline of UK rap history:
???? Best Hip-Hop Radio DJ – Blues & Soul Magazine, eclipsing major stations like Radio 1 and KISS FM.
???? Best Radio Presenter – Ethnic Music & Media Awards.
???? Best Radio DJ – Urban Music Awards (UMA).
???? Personality of the Year – UK Hip-Hop Awards (2002).
???? MOBO Award Nominations – Best DJ (1999, 2000, 2002, 2008).
???? Sony Radio Award Nominee – Best Music Special for KRS-One: Judgement Day.
But perhaps more significant than the awards is his impact. In 2001, “Friday Nite Flavas” was syndicated nationwide, broadcasting across Leeds, Bristol, Manchester, Liverpool, and beyond, giving the UK’s underground hip-hop scene its first truly national platform. Meanwhile, Numberman Productions continued to expand, bringing legendary US artists like Talib Kweli, Mos Def, RZA, Masta Ace, and DJ Premier to UK stages — often performing alongside homegrown talent.
When Choice FM closed in 2013, many wondered if that era of UK hip-hop radio had ended. But legends don’t stop — they adapt. DJ 279 remained a vital figure on the live circuit, spinning at major concerts and festivals across the country and continuing to spotlight emerging talent.
In 2023, he completed a British Arts Council–funded, five-city UK tour celebrating Hip-Hop 50, a milestone moment for the culture he’s helped shape. And the story isn’t over — a documentary chronicling his career and influence is set for release in January 2026.
To call DJ 279 a “DJ” is almost an understatement. He is a cultural architect — someone who has shaped the narrative of UK hip-hop from the ground up. He’s been the first to give artists a platform, the one to champion grassroots events, and the bridge connecting UK talent with global legends.
He’s also an educator and advocate, using his voice, platforms, and influence to ensure that hip-hop remains a space for authentic storytelling, creativity, and community uplift.
For over 30 years, DJ 279 has been the heartbeat of UK hip-hop — a constant presence behind the decks, on the airwaves, and in the culture. He is, without question, one of the most influential figures the UK scene has ever produced.
So while his name may not always shout the loudest, his impact speaks volumes. And for those who know, there’s no debate: DJ 279 is a legend — not just in the booth, but in the very soul of the culture.
Read more